A Postcard from Trent Walter, Art Basel Hong Kong

Clockwise from top: installing Brook Andrew‘s Building (Eating) Empire 2016; Leiko Ikemura at PolígrafaAnish Kapoor at Paragon Press.
Below: STPI at Art Basel Hong Kong.

I am in Hong Kong to install a large installation Building (Eating) Empire 2016 by Australian artist Brook Andrew at this year’s edition of Art Basel Hong Kong. The work was curated into the Encounters section of the event by Alexie Glass, director of Artspace, Sydney.

Walking around the fair during the VIP preview was my first chance to engage with many galleries I know only through reputation. And to see many artists works that I have only gazed at through reproduction. For example, works by James Lee Byars (Michael Werner Gallery) and Kishio Suga (Blum & Poe).

Works on paper were well represented with excellent stands by Polígrafa Obra Gràfica, Paragon Press, Pace Prints and STPI. Alongside an extensive collection of Joan Miro prints at Polígrafa were the monotypes of Leiko Ikemura that used relief elements arranged and printed in various compositions to make unique state works. In look and feel, these relief monotypes share much with Edvard Munch’s relief prints, though with a distinctly Japanese sensibility.

Other highlights included Matt Saunders‘s large photo-paintings at Blum & Poe including Night #2 (version 2) 2015 and James Turrell’s ukiyo-e style prints at Pace. Exhibited recently as part of his National Gallery of Australia survey exhibition, these works lose nothing over repeated viewings and serve as an incredible benchmark for printmaking today.

Trent Walter is an artist and publisher.
His studio is Negative Press.