2016 PCA Print Commission Q&A: Rona Green
From today until 31 October, our fabulous 2016 PCA Print Commission prints will be available to view at a range of venues around the country (please see details listed at the end of this interview). To celebrate and to offer a little peep into the worlds of the artists selected for the commission by our esteemed judges – Roger Butler, Senior Curator of Australian Prints and Drawings and Illustrated Books at the National Gallery of Australia, and master printer John Loane of Viridian Press – today we also kick off an interview series in which we will highlight one of the ten prints and artists involved in this year’s commission each week.
‘From looking at my work it is probably fairly easy to tell what is of most interest to me: animals, appearances, stories.’
Why do you make art?
It is deeply amusing to do so.
What’s your relationship to printmaking?
Involved and intense. It’s a very close friend.
How did you get interested in printmaking?
At La Trobe University in Bendigo during the early 1990’s I was taught by a couple of excellent printmaking lecturers (Peter Jacobs and John Robinson) who totally infected me with their enthusiasm for the medium.
How did you approach making your submission for the PCA Print Commission?
A lot of handsome cats have been drawing my attention of late so it seemed like a good opportunity to use one of these as a reference for the purpose of the print commission. The dapper cat character I conjured up lives a wild life. Hopefully he will provide interesting company for those who choose to have him come live with them.
Whose work have you been enjoying lately?
Where do you go for inspiration?
From looking at my work it is probably fairly easy to tell what is of most interest to me: animals, appearances, stories. Artists whose work I admire include Alberto Giacometti, Jean Dubuffet, Francis Bacon, John Brack, David Hockney, Peter Blake, Diane Arbus, Philip Guston, Ida Applebroog, Leon Golub, and Ed Paschke. And I am particularly keen on Egyptian art and the Dutch Golden Age. Not to mention TV …
What are you working on now?
Preparing for a solo exhibition of printmaking at Bendigo Art Gallery and a solo exhibition of painting, drawing and printmaking at Australian Galleries, Melbourne. Both shows are scheduled for late 2017.