2016 PCA Print Commission Q&A: Rochelle Summerfield

‘My first love of printmaking was etching and collagraphs printed as intaglio. I loved the rich textures and depth of tone. I discovered collage, and print matter generally, and have developed photography and digital skills. With a love of both classic media and digital technologies, combining these skills seemed quite a natural evolution.’

Why do you make art?

I feel happy when I draw and make art. It enriches my life and gives it meaning. It helps me work out how to see and be in this world – it is my way of connecting.

What’s your relationship to printmaking?

To me, printmaking is a variety of methods, skills and approaches – textures, marks, tonal properties, everyday print matter and mass media – that I can draw upon to make work.

How did you get interested in printmaking?

I began exploring printmaking as part of my degree at Southern Cross University. My first love of printmaking was etching and collagraphs printed as intaglio. I loved the rich textures and depth of tone. I discovered collage, and print matter generally, and have developed photography and digital skills. With a love of both classic media and digital technologies, combining these skills seemed quite a natural evolution.

Who is your favourite artist?

I will have to say three artists in particular – Arcimboldo, Hannah Höch and Max Ernst. Arcimboldo for teaching me how to make pictures as puzzles – through his work I realised that was how I see the world! Hannah Höch for teaching me a way to make pictures about women that are relevant now; and Max Ernst for teaching me how to combine collage within a background, in works such as his famous surrealist novel in collage Une Semaine de Bonté.

Where do you go for inspiration?

Several places generate inspiration for me. When I make work, I find collage stimulates new ways of looking and thinking about things and not just cut-and-paste, collage-type processes. Living in Seelands and looking right onto the mighty Clarence River with its wonderful birdlife has been a source for inspiration and renewal.

In my practice I find artist residencies are really good for inspiration, being in a new place and talking art with other like-minded souls (families can get quite sick of that type of talk!) For new ideas on what is happening in art beyond the regional I look at contemporary artists’ work, installations in metropolitan galleries and online.

What are you working on now?

I am working on drawings for a site specific installation. It’s going to be a billboard, so is extending me and my work in scale. It will be installed in Victoria Park, as part of ‘Future/Public’, Artlands, Dubbo 2016. I am one of ten artists selected for an exhibition of propositional public artworks to be on display in various venues for the Artlands Regional Arts Conference, 27–30 October, 2016.

To view this year’s commission prints visit the PCA website, pick up a copy of the spring 2016 issue of Imprint (Vol. 51 No. 3), or visit one of the participating venue galleries listed below: