2016 PCA Print Commission Q&A: John Ryrie

‘I have been interested in printmaking since I was about nine or ten years old. Picasso’s etching and lithographs were the first prints I looked at.’

What’s your relationship to printmaking?

Printmaking is my main medium. I am also a painter, sculptor and a musician.

How did you get interested in printmaking?

I have been interested in printmaking since I was about nine or ten years old. Picasso’s etching and lithographs were the first prints I looked at. I was eighteen before I made my first print.

How did you approach making your submission for the PCA Print Commission?

The ‘Waiters’ Race’ was part of the Lygon Street festival back in the 1990s.

Whose work have you been enjoying lately?
This year there have been a lot of good print exhibitions: at the NGV we’ve had DegasWhistlerJan Senbergs and, in the member lounge, Piranesi; in Ballarat, William Kentridge and Pam Hallandal. I have also been looking at Laura Knight, Stanley Anderson, Robert Sargent Austin, Günter Grass and Bruegel.

What are you working on now?

I am working on a folio of prints based on Punch and Judy. It was started in 2006 as a State Library fellowship project. There is an exchange folio called Panoply organised by Rona Green and another for the Scarlet Fund. I have one print in each of these. I am also working on another limited edition book that I hope to have finished by the end of this year.

To view this year’s commission prints visit the PCA website, pick up a copy of the spring 2016 issue of Imprint (Vol. 51 No. 3), or visit one of the participating venue galleries listed below: